Chingiz is closing today's rehearsals. I'm trying to understand what I missed in the first rehearsal that made everybody in the press room feel it. The rehearsal went the same as it was last time. Chingiz changes his hairstyle and looks better in my opinion. I think there were some sound problems, cause he entered after the music throughout the entire song.
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“I love my staging, it's absolutely cool! Obviously, the inspiration behind it is my entry song, ‘Truth'. The idea is that my heart is broken and I need to replace it with a bionic one,” says Chingiz about his Eurovision staging. “Some robot helps me literally get rid of it and forget about my ex. I realize that only accepting the truth and leaving my toxic love behind can heal me.”
With Chingiz alone on stage, unique graphics help the artist tell his dramatic love story. The images are delivered by Front Pictures creative studio, who also created visuals for Jamala’s Eurovision 2016 winning act, put together stunning performances at America’s Got Talent and, most recently, collaborated with P!nk at The BRIT Awards 2019. To create the stage video for Chingiz’s performance, the Azerbaijani delegation worked with GST, a leading Moscow-based production company that produces some of the biggest events in the region.
The stage director for 'Truth' is Mads Enggaard, an experienced Eurovision professional who previously served as Eurovision 2017 viewing room producer and 2019 Danish Melodi Grand Prix contest producer.
“The idea of the "Truth" staging is visually impressive and strikingly bold,” said Azerbaijan’s Head of Delegation, Husniye Maharramova, “Azerbaijan has participated in Eurovision for 11 years, and you have seen a lot of memorable, fiery and even romantic stagings by our delegation. But this is something totally new and emotional from us. I’m really looking forward to seeing how viewers relate to the story on May 16th."
Chingiz’s performance will serve as an anticipated closing act of the Eurovision 2019 semi-finals - 'Truth' is the 18th and final song in the running order of the second semi-final.
Chingiz is alone on stage, he's wearing a short sleeve grey shirt. He's standing in front of a triangle prop with blue neon light. Two robotic arms are scanning him. In the chorus, he walks to the center of the stage. The camera work is very good, there are a lot of effects, including a beating heart video that is screened on his chest and his image ascending at some point. Toward the end of the song, Chingiz gives a Mugham part, which is really beautiful and add some warmth to a rather cold staging.
The jury final has just started. As tonight it is all about the performances, this live blog will focus mostly on that. But of course, if anything special happens we will of course let you know.
Aisel immediately gets the audience clapping along with her - maybe eager to see the show started as it's the first one. The running before the first chorus looks very panicked now. OK performance but not spectacular, vocally she is struggling in some of the verses. Azerbaijan has a great record but I would not be surprised to see it broken this year.
Ari has been very solid all week through and again now his performance is good. However, it will most likely not be enough for qualification.
It seemed to me there was an issue with the lighting at the beginning as he was mostly covered in blue until the first chorus starts. Vocally a very good performance though that gets a huge applause in the press hall. However, Eugent seemed a bit nervous to me.
It took some time before we got a good focus in the opening and vocally Sennek sounds very fragile tonight. She improved as the song progressed though.
Just a general observation, I thought this jury final was sold out, but I see lots of empty chairs everywhere...
5. Czech Republic
Miklas struggles a bit to get his rucksack back on after the tricks in the middle. Otherwise a good performance and he looks relieved after it.
A bit breathy but otherwise very good performance vocally with a good reaction in the hall. In the end Ieva has decided to revert to English for the very last line again.
The beginning sounds good today, but for the rest it's not Netta's best performance vocally, however the long high note towards the end goes quite well.
An otherwise fine song ruined by the staging, it's still all too much. Not convinced about his performance tonight, his vocals seemed off from time to time. No specific issues though.
I would not say Elina is off, but in the verses she is not as good as she was before. In the higher parts during the chorus she is perfect though, and that is probably what will matter most and stay in people's minds.
Vocally competent but very cold performances. I'm just not really sure if everyone will go for this tonight and tomorrow.
Major issues earlier today, but they finally got the camera shot right with her walking to the drummer taking off her dress. During the end she's still out of breath though, and the (great!) backings are not able to hide that at all places.
Franka's confident performance from earlier this week is back. Some issues with the sound of the stream though that might be only here. Flawless performance, I still think this can surprise everyone.
Sometimes César is just walking in the dark through the end which is not so great to see. He and his backings gave a good performance though.
Yianna is out of tune in the first verse and also struggles during the end. During the second verse we get fireworks now which is just a bit too early really.
A seemingly effortless performance of Saara Aalto who does not miss any note. Based on this alone I would not be surprised if there's a space for Finland in the final after all. Oh, today all three firework fountains worked.
The Armenian performance also went well, though the high note with the guitar sounds a bit strange from time to time.
Dress rehearsal one for the first semi-final has just started - we start of course with some opening sequence showing, among others, images of Lisboa, Pasteles de nata, water, football... and of course the various logotypes of this year's contest before we move into the hall where our four hosts all come on stage, still a bit giggly at first!
I'm here liveblogging this semi-final from the hall and will most probably be back in the evening for the jury-final when it really matters, so I'm curious to see where my impressions will differ today comparing the 2 rehearsals!
Check back here from time to time to see all the latest updates, as the performances and more pass by!
Postcard: Aisel in what seems a typical Portuguese village with white houses before taking a balloon tour.
Peformance: Lots of smoke on stage in the beginning, not sure I noticed that earlier. Vocally ok until th esecond verse where she starts to struggle a bit. It's still very artificial, the glitter effect in the bridge seems to have been developed better now.
Postcard: More Portuguese villages but Ári gets inside a building where he makes a puppet-on-a-string - Now is that a Eurovision reference or not?!
Performance: Missed camera shots in the beginning where we see cameras through the screen while we should only see Ari. This better not happen tonight or tomorrow night. Otherwise great performance again from Ari who once again shows how good a singer he is.
Postcard: Eugent is taking a boat tour what looks like through the Venice of Portugal.
Performance: In the last part of the song the backings can be heard a lot more now. Vocally this is great once again and I can not see any fault to this performance but I immediately admit I'm biased as this is by far my favourite.
Postcard: Also Sennek went on a boat trip but this time closer to Lisboa, in fact it seems very close to where we had the blue carpet event yesterday.
Performance: They finally seem to get the opening right, even though I wonder if it's the right opening to this song. After Albania this is really quite relaxing without getting boring. Not completely sure the vocals in the chorus were as perfect as in the last rehearsal.
5. Czech Republic
Postcard: Mikolas finds himself with some very strangely dressed creatures with carnaval masks from the Tras-Os-Montes region of Portugal.
Performance: Mikolas seems more comfortable on stage than in his last rehearsal, he's moving around a lot more, but of course leaves out the backflips that caused him lots of trouble one week ago. Still a lot running and a normal jump on stage though.
Postcard: Ieva is taking a trip in the mountains in her now quite trademark comfortable wide pullovers, very similar to what she wore in the second rehearsal.
Performance: On stage she is now wearing a very princessy pink dress. Vocally it is very good and the song is so relaxing and smoothing that it is over before I know it! And, small detail - 2 lines in Lithuanian are back today!
After this performances we get to the greenroom where the host is already asking how Lithuania is doing, I wonder if she'll be back at all at that moment! Will be fun to watch tomorrow.
Postcard: Netta performing at an outside party.
Performance: The beginning now sounds better in the hall than it did during the second rehearsal. However, we get to start over again as apparently there were issues..
Thought the first time sounded better, but it's probably more noticeable in the press area that it didn't go well the first time. As if Netta may have thought she had something to prove after the issues in the beginning, she gave it all at this rehearsal, to send up a bit out of breath by the end.
My blogs today will be live from the Altice Arena where we have seen Aisel performing twice already. Both times they had to start again as there were some technical difficulties.
There seem to have been no major changes at all in this rehearsal - I can confirm now, if it wasn't clear already that the glitter effects are exclusively seen on screen and not in the hall itself. Vocally it sounds strong but the choreography still doesn't connect with the song at all.