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Thanks, Kyiv, and see you in Lisbon next year!

The Eurovision 2017 is over. Thanks to all team members and contributors who worked hard to provide the most comprehensive coverage of the contest in the web. As usual, we were the only media that has provide throughout coverage of the events not only in the press-center, but in the Euroclub, Eurovillage, national parties and receptions as well as fan zones. And first of all thanks to our readers, without whom we would have been unable to exist.

Despite various difficulties Ukraine managed to pull good organization of the contest, which although can't be compared with the great Stockholm and Vienna has been on par with 2012-2014 years.

A highlight of the event was Eurovillage - we have never yet seen so packed Eurovillage with various activities and concerts, add that 5 hospitality zones made up by Kyiv city - so locals must have enjoyed the contest greatly. A slight downside perhaps has been difficulty to get hour by hour schedule of the Village and Fan zones to follow.

Euroclub, while starting on a low note, eventually was transforming into a nice location. Still, the idea to sell openly passes to the Euroclub (not speaking about loads of people appearing there even without any passes) is definitely not doing any benefits to delegations being interested to be present there and perhaps it is time to return Euroclub to the original concept of a night location of the accredited people only, at the same time offering night-time Euro Fan Cafe or other clubs as venues to non-accredited fans.

Red Carpet has been OKish, even though perhaps very few people from press and delegations understand what is the real need in this event, especially when the access of non-accredited fans to it has been largely limited for the security reasons. The country-zones obviously have not worked at all, and length of the carpet can't be considered a good thing as well.

The events schedule during the week in Kyiv hasn't been extremely exciting, still offering something to everyone, and for example I have visits to Sing, Lola, Sing musical with amazing Oksana Zhdanova, play of my favourite actor Alexey Gorbunov, performance of Ultramarine Girls cover band with Galina Scoda as three event highlights of the week.

Press-center has been very convenient to work and besides few issues which were addressed and solved immediately our home for 2 weeks has been very friendly. I have nothing bad to say about team of volunteers this year, who have been largely unnoticeable - which is the most essential feature for volunteers, they should help when approached and not to interfere in the work. Security has been most friendly and approached everyone with a smile, and considering high security alert during the contest, it ensure a feeling of safety.

Many thanks go to the Ukrainian Eurovision team: Yulia Golovlyova, Olena Gamulya, Svitlana Melnichenko, Ludmila Troyitskaya, Angelina Lazebna, Liliya Yamborak, Tatiana Gosteva. Special thanks to Roman Keryk and Premier team.

Now it is time for us to take a rest after a very long season that has started for us already in summer with coverage of Ukraine's preparations. ESCKAZ will be back to the coverage of Portuguese preparations in winter.

Finally, you can check again our coverage (675 produced videos) in several playlists:

Interviews:

Euroclub:

Eurovillage:

Other events:

Rehearsals:

Press-conferences:

Opinions:

Galina Scoda (Ultramarine Girls)

Some of Eurovision fans may remember Galina Scoda - participant of Moldovan 2008-2010 national preselections with such songs like "Your Own Vision", "Joc De Noroc" and "Actori".

Since 2010 Galina has moved to Ukraine, where she starred in various plays of Musical Theater "Comme il faut".

Since 2010 she sings in cover band "Some like it hot", which has in 2014 been renamed into "Ultramarine Girls"

This year, Scoda has completed in the Ukrainian version of The Voice.

Attempting to cover everything Eurovision related, ESCKAZ could not miss performance of Galina Scoda and Ultramarine Girls (Maria Sorokina, drums, Marta Kovalchuk, bass, Uliana Guda, keyboards). We were looking for suitable dates throughout the week and eventually managed to catch them in Solod enjoy bar.

Having a brief chat with Galina after the performance, we have let her know she is being missed in the Eurovision world and we would be happy to see her again running in the national preselection in Ukraine or Moldova. Hopefully, composers and producers pay attention to her fantastic abilities. Band's website: https://ultramarinegirlsband.com/

A Little Black Box

Today in the Kyiv concert club Bel Etage took place the amazing musical performance "A Little Black Box", in which has starred the multifaceted and unlimitedly talented Aleksey Gorbunov. To see my favorite actor live on stage was my old dream, and, finally, it could have been realized. The performance was held in an atmosphere of intimacy and unity of the whole hall. There is nothing superfluous - only an artist, musicians and a hanger with the necessary headgear, which helped Alexey to present new roles in a brighter way.

"A Litttle Black Box" is immersion in the atmosphere of one artist, his thoughts, excitement in his voice ... This is all real, sincere, aching, inherent to every person and therefore painfully understandable. These are "little stories about love, about war, about women, about children, and about hope." The play is based on the stories of Ludvík Aškenazy "Černá bedýnka", poems of Gennady Shpalikov, Alexander Kabanov. These are the subtlest interweaving of feelings, memories, familiar songs of great authors - Bernes, Okudzhava, Vysotsky, Utyosov, Vertinsky. The director Yury Odinoky helped to build such a bright and unusual performance for the artists. The musical accompaniment of the performance is played live by the band "Grust pilota" (Pilot's Sadness), whose singer is Alexey.

Sing, Lola, sing!

In addition to the official Eurovision events, every year ESCKAZ team tries to visit other cultural events taking place in the host city of the contest. Those who regularly read our blog already know that we give the advantage to theatrical musical productions and metal concerts. And if the latter in Kyiv is quite difficult to find, then the musical we managed to find the perfect one.

It is a performance of the Kiev Academic Theater of Drama and Comedy on the Left Bank of the Dnieper "Sing, Lola, sing!" based on the play of Alexander Chepalov, in it's turn based on the novel by Heinrich Mann "Professor Unrat" and the movie "The Blue Angel" with Marlene Dietrich. Staging by Dmitry Bogomazov.

The play has been part of the repertoire of the theater for two years already, and won the theatrical prize "Kyiv Pectoral 2015" in the nominations "Best Musical Performance", "Best Actor" - Alexander Gannochenko (Gnus), "Best Plastic Decision" - Alexey Sklyarenko.

The charming singer Lola is the star of the "Blue Angel" port cabaret. Among the adorers of beauty are young students of the local gymnasium, spending all evenings at her performances. Their Latin teacher, who received the nickname "Unrat" (Garbage) for his stiffness, decides to visit the singer himself to put an end to this "obscenity" and "debauchery." But, seeing the singing on the stage of Lola, a respectable professor forgets everything in the world and falls in a love as a boy ...

Heinrich Mann's socially-accusatory novel, although became a classic of German realism, is little known to the modern readers. But the destiny of literary heroes and the main plot collision was completely different. The name of the grammar school teacher nicknamed Unrat - a petty tyrant, a misanthrope and pedant, immediately became a household name. And the story of the truly fateful love of an aged bore to the cabaret singer Lola at different times inspired various artists.

It became the basis for two movies (the cult "Blue Angel" (1930) by the Austrian director Josef von Sternberg, where Marlene Dietrich made her debut as Lola and German director Rainer Werner Fassbinder's "Lola"), and the outstanding French choreographer Roland Petit ballet "The Blue Angel" where he himself starred at the main role at the age of 61.

At the same time, each author in his own way worked out the fate of the misalliance, re-creating or interpreting the story. In the play "Sing, Lola, Sing!" Alexander Chepalov also offers his version of the famous story. According to the playwright, his work, first of all, is about love - doomed, tantalizing and torturing ... Although there are comedy notes in the play, one should not expect from it unrestrained fun and a happy ending for all the heroes - life is much more complicated ...

Пой, Лола, пой!

The main role in the performance is played by the incredible Oksana Zhdanova (probably familiar to some viewers for her roles in TV series Dvornyazhka Lyalya, Zabud i vspomni, Grazhdanin Nikto, Vernis - Pogovorim). She didn't not only create a unique, not repeating previous performances, cold, and at the same time passionate, expressive, lively image of Lola, but also perfectly performed a sufficiently large-scale soundtrack of the musical. According to some of us, some songs and their performances were in no way inferior, and often even much better than what we see on the Eurovision stage of the International Exhibition Center. Coupled with the perfect English pronunciation, we can only hope that the composers will be able to offer Oksana a good track for participating in future national selections as a singer.

Besides, the whole galaxy of Ukrainian stars are involved in the performance, while not only not interfering with each other, but also complementing, creating a real ensemble: Honored Artist of Ukraine Alexander Gannochenko, People's Artist of Ukraine Lev Somov, Honored Artist of Ukraine Lesya Samayeva and her husband Honored Artist of Ukraine Andrey Saminin, Honored Artist of Ukraine Viktor Zhdanov, Alexander Komarenko, Alexander Piskunov, Mikhail Kukukuk.

All the music of the performance sounds live, and, it is worth noting that all musical accompaniment is organized by the members of the permanent theater troupe. Orchestra: Timur Burlaka, Alexander Begma, Valentin Boyko, Alexey Petrozhitsky, Ivan Zavgorodniy, Alexander Kohanovsky. Corps de ballet: Svetlana Shtanko, Kristina Deylyk, Alyona Zavgorodnyaya, Anastasia Logvin, Elena Bushevskaya, Anna Topchiy, Ekaterina Gordienko.

We would like to recommend the performance to all those who is now in Kyiv (text in Russian, songs in English) - it's next air date will be May 10, and tickets can be purchased on the website http://www.drama-comedy.kiev.ua/ The theater is located minutes away from the IEC, at the Livoberezhna metro station.

Kyiv, here we are back again

Well, as Mike has already informed in a photo way, a large part of ESCKAZ team has came back to Kyiv for this wonderful event of the year.

Almaty - Kyiv is quite long trip on it's own, 6.5 hours, but happily no need to change flights this year as usual. The only extremely disappointing thing in this is that this year I do not have an opportunity to visit wonderful Copenhagen as I did every year since 2013. Fingers crossed we're coming back to Greater Copenhagen Area next time.

The airport meets you with a special board passport check windows for "Evrovision guests" (sic), which for me followed by roughly two hours "formal check" as a Russian passport holder. It was kind of boring, if they plan to do this for every press member with Russian passport perhaps we need to get some entertainment zone in the airport for people queuing. Anyway, that wait helped to unite 2 ESCKAZ team members and 2 other friends in one place and share a direct taxi to the IEC. Please don't take taxis which will cost more than 250 UAH. It's a robbery, there are plenty of cheaper options - if you have smartphone, try Uber or Uklon or Yandex Taxi.

Mike has already explained accreditation process, when we were leaving, the press accreditation eventually moved to the main hall, so you can easily spot it on the first table to right from the entrance. Still, it is only one person doing it and a huge queue of technical workers and security also standing in other queues to get their passes. You can not pick up anything but badge today.

We also met Lily Yamborak and Svetlana Melnychenko from ESC Press team, who informed us that official Euroclub opening will be on Monday at 21:00. They are trying to get Ola Melzig and Christer Bjorkman to sing for that. Apparently all fans need to ask them very politely to make this huge project happening. First time and only at the Eurovision.

ESCKAZ is looking for new team members

ESCKAZ is searching for qualified "pro bono" volunteers for both off-season operations and support on the social networks as well as for on-season coverage of both news items and live events. Those proving themselves best fit to the team, may be invited to join it during the coverage of the Eurovision Song Contest 2017 in Ukraine itself.

Please submit your CV/applications to info@esckaz.com in English language providing also the following information about yourself:

- Knowledge of written/spoken English language (fluency in Russian language may be beneficial factor);
- Experience of the work for other Eurovision fan sites / fan networks;
- Experience of the work at the live Eurovision events (international, national finals, Junior Eurovision etc);
- Ability to travel on your own costs to such events (including visas), indicate countries you are able to travel to;
- Membership in various fan organizations such as OGAE/INFE/independent clubs;
- Experience with photo/video filming / post production and possession of equipment;
- Experience of work with the social media: (Facebook, VK, Youtube, Twitter, Instagram, Flickr, Periscope, Snapchat), please also include links to your profiles;
- Ability to secure your own accreditation for the contest (P or F) or national finals;
- Ability and willingness to share accomodation and other working costs with other members of the team;
- Brief explanation why are you interested to work specifically with ESCKAZ team;
- Brief suggestion in what way would you like to contribute to our team operations.

We thank in advance everyone interested and will contact shortlisted candidates in the upcoming month with more information.

We're looking forward have YOU in our team!

Stockholm round-up

We definitely did not expect it due to a quite low bar set up by Malmö, but Stockholm organization of the show has been almost perfect.

We had a very conveniently located Arena, which was near to the metro station, it almost can't get closer. We had all proper facilities in the Arena, including even interview lists (!, first time ever done prior to our arrival), and also excellent speed wi-fi which was available even in the arena itself. The biggest downpoint probably were the stairs down to the press-center, several of our team members had their legs sprained on it.

The Eurovillage was huge and had everything in it, so hopefully everyone enjoyed the program in it and Tele2 arena. The Euroclub/Eurocafe also seemed a great treat to Eurofans, especially with OGAE accreditations.

For me personally the great highlight of the week was Mamma Mia! the Party which we have reviewed here: http://esckaz.com/new/blog/mamma-mia-party-7155 Euroweek for me was made not only with Eurovision, but with different other events such as Hairspray musical in Tivoli, Copenhagen, heavy metal concerts of Treat, Allegiance of Rock, Abramis Brama and Starlight in Stockholm, a visit to Medelhavsmuseet and several beautiful churches etc.

Remember that you can check a huge video and photogallery from our reports on the links in the right column.

We're looking forward Ukraine next year, and as usually are open for any suggestions which you can mail us to info@esckaz.com , we're also looking for collaborators so if you want to become part of #TeamKaz, send you CVs in English language to the same e-mail as well.

Thanks a lot for staying with us this week and we hope you all enjoyed our production. Great thanks to all the delegations, artists and their teams who have collaborated with us on our coverage, it always is highly appreciated.

Goodbye and see you soon.

Mamma Mia The Party

A tasty Mediterranean buffet is placed on your table. Glasses are being raised across the room. Everything happens on a magical evening in several acts filled with singing and dancing, daredevil stunts, Greek Gods, flirty waiters, and perhaps a Zorba and an Ouzo or two. The rest is up to you. Because no evening is like any other. And no one knows how it ends. It all depends on where ABBA's songs take us! But one thing's for sure: you can count on a Summer night city. The temperature at Nikos Taverna is always set on Greek high summer, regardless of season. Ready to make history? Opa!!

Björn Ulvaeus invites everyone to "Mamma Mia! the Party" in Stockholm. Mamma Mia! musical is being turned into party held in the Tyrol restaurant at Gröna Lund, a few steps from ABBA The Museum. Building on ABBA tunes, one of Swedish greatest musical export successes ever, Björn Ulvaeus captured the warm, happy atmosphere of the musical and movie Mamma Mia! that have conquered millions of people around the world and turned it into a party. Planning for the production has been ongoing for 2 years with first sketchy details revealed in April 2015.

ESCKAZ had the opportunity to talk to Björn Ulvaeus who is the executive producer and one of the initiators of Mamma Mia! the Party, which premiered in Tyrol on 20 January 2016. At the age of 70 Björn who calls himself "pop culture entrepreneur, investor and lyricist", is full of energy, has no plans to retire but not to get back to the active composing or stage activity either. His vision of the new show is that guests, restaurant staff, musicians and artists together create the party in the Greek tavern environment from the island of Skopelos, where the Mamma Mia! the movie filmed, with olive trees, fountain and scents of the Mediterranean. With the help of the ABBA songs they write that particular evening's history there and then. With Mamma Mia! the Party are linked the two big attractions: ABBA the Museum and Gröna Lund amusement park, creating a new public magnet at Djurgården. For this purpose, legendary Tyrol restaurant has been transformed in 2015 by set designer Bengt Fröderberg into a Greek tavern.

"I sat in the audience at theaters around the world and experienced the special warm, happy atmosphere that occurs when the first notes of the musical sounds out over the auditorium. And when people stand up and dance and sing at the end of it. That is the feeling I want to recreate at the Mamma Mia! the Party", says Björn Ulvaeus

Watch Björn Ulvaeus speaking about Mamma Mia! the Party and Eurovision:

Mamma Mia! the musical has so far been seen by 55 million people around the world. The musical premiered at the Prince Edward Theatre in London on 6 April 1999. A total of 49 stagings in 16 languages were produced ​​and it is still being played in 8 productions in three different languages. The film based on the musical premiered in 2008 with actors like Meryl Streep, Pierce Brosnan, Colin Firth, Amanda Seyfried and Stellan Skarsgård. Last year Eurovision accredited press and delegates were invited to attend for free one of the best world stagings in the show Mamma Mia! in Raimund Theater with Ana Milva Gomes and Madeleine Lauw.

Today, ESCKAZ team has been invited to attend the English version of Mamma Mia! the Party. The story is not same as in Mamma Mia! the Musical, it takes place after Mamma Mia! the Movie was filmed on Skopelos Island and evolves around Greek tavern owner Nikos and his new Swedish wife Kicki (who was working on The Movie production and decided to stay in Greece) who came up with the idea to organize every evening a Mamma Mia Party in their tavern while serving great food for the tourists, executive chef of the tavern Maggan, Nikos' daughter Konstantina, Kicki's son Adam and the Romeo & Juliet story between the latter two, complete with the balcony scene. There is also plenty of room for improvisation and audience participation, if the guests are up for it (and if you celebrate your birthday musicians will also play and sing a special version of Happy Birthday for you).

Mamma Mia! The Party interview with Abba's Bjorn

Upon entering ‘Nikos Tavern’, the guests are greeted by Greek Gods bearing trays of Ouzo shots, before being shown to their tables and handled a local gossip newspaper "Skopelos News" with details about the cast, crew and menu. Inside Tyrol, the temperature is always set to a Greek summer evening, so dress accordingly (cloakroom in the restaurant is free of charge). An astonishingly detailed set includes the frontage of a Greek souvenir shop and a backdrop of screens showing a real Grecian sunset, which changes throughout the evening while surround effects such as the sea, crickets etc bring alive the Grecian backdrop of the popular Abba movie, Mamma Mia! Vines trail the crumbling walls, fountains dance and the air is heavy with the scent of olive trees and jasmine. As the evening progresses, the light gradually fades out as the sun goes down and candles begin to flicker. While the guests enjoy their food, the show takes place around them. There is no stage, instead the cast delivers their dialogue, sings and dances between the tables on the restaurant floor creating complete 360° experience.

The music is still made of ABBA songs, but again the tracklist is different to the Musical, while some lyrics have been reworked by Björn Ulvaeus himself.
Act 1:
Kicky & Nikos: Thank You For The Music; Maggan: Bang-A-Boomerang; Adam: Take a Chance on Me; Konstantina & Adam: I've Been Waiting for You; Kicky: When I Kissed the Teacher; Kicky: Head Over Heels; Kicky & Konstantina: If it Wasn't for the Night; Maggan: Hole in Your Soul; Adam: On and On and On; Konstantina: So Long; Adam & Konstantina: Honey Honey; Maggan: Andante, Andante
Act 2:
All: Waterloo; Kicky: S.O.S.; Maggan: Mamma Mia; Konstantina: I Let the Music Speak; Adam: I'm a Marionette; Konstantina: The Winner Takes It All; Adam & Konstantina & Kicky & All: Kisses Of Fire
Act 3:
Konstantina: I Have A Dream, Anders and band: Does Your Mother Know,
Medley: Kicky & Lotta & Bella & Adam: Summernight City; Konstantina: Voulez vous; Kicky & Maggan: Gimme! Gimme! Gimme!; Lotta: Super Trouper; Maggan: Mamma Mia; Kicky: Lay All Your Love On Me; Konstantina: Tiger; Roberto & Adam: So Long;
Encore: Dancing Queen

Get some taste of the music and practice your lyrics knowledge with ABBA originals:

The striking-looking performances are made on the lesser-known songs, "I'll let the music speak" and "I'm a marionette," which offer spectacular circus acrobat numbers with Talang show finalist Elin König Andersson, leading to the grand finale of the story itself with "Kisses of Fire". At this point, the only regret is that the story so quickly has come to the end - but the organizers predicted such reaction and is prepared a third act for all the visitors, which although isn't developing the storyline, but none-the-less is full of ABBA songs.

The evening ends with Greek Zorba dancing (for which "I Had A Dream" seems the perfect fit), the tables then are moved to transform the venue into the nightclub with the dance floor and then, there is another performance that includes a medley of songs of Abba. Those guests who had not enough of 4 hours of party during the show itself can continue discoing with the DJs even after the artists have left on the recorded soundtrack of the show, other music of ABBA and dance hits.

The stars of "Mamma Mia! the Party" are actors Michalis Koutsogiannakis as Nikos, Anki Albertsson as Kicky, Sussie Eriksson as Maggan, Mercedesz Csampai as Konstantina, Patrik Hont as Adam, Linda Olsson / Sofie Gunnarsson as Lotta, gymnast Elin König Andersson as Bella, four Greek ladies altering role of Grandmother: Sigrid Anastasoglou, Hrissoula Damianidou, Nikoletta Kereklidou and Maria Saivanidou and musicians Robin Svensson (Rasmus, piano & guitar), Mija Folkesson (Gittan, guitar & bouzouki), Daniel Bingert (Lasse, bass & mandoline), Pablo Cepeda (Roberto, drums & percussion) and Michael Blomqvist (Anders, guitar & bouzouki).

Mamma Mia! the Party cast

Sussie Eriksson starred as Karin in Swedish production in Mamma Mia!, Michael Blomqvist, being many times leader of huskören of Melodifestivalen, was choir member for Mamma Mia! The Movie and also performed in Swedish stage production as well as Anki Albertsson, who was Donna in Gothenburg staging and backing singer at soundtrack recording. Pablo Cepeda twice competed in Melodifestivalen. Michalis Koutsogiannakis is known for his participation in film adaptation of Millennium saga.
Mamma Mia! the Party produced by Eventum in cooperation with Björn Ulvaeus, scripted by Calle Norlén, Björn Ulvaeus and Roine Söderlundh, with latter being also director of the show.

The whole lineup of actors and musicians is absolutely exceptional, competent and professional and are perfectly casted into the roles. Highlight of the show, however, is no doubt performance of stunning Swedish/Hungarian/Russian singer Mercedesz Csampai (watch out for her emotional rendition of The Winner Takes It All and her literally hanging-in-the-air performance of Voulez-vous in the final medley) who previously starred in various international music productions including "Tanz der Vampire" in Berlin and "The Phantom of the Opera" in Moscow.

Mamma Mia The Party press photos

Tickets for the shows can be booked at ticnet.se. At the current moment on sale are shows till April 2017. You should absolutely buy tickets in advance, because the shows are usually sold out. Tickets cost 1340.00 SEK (around 145 Euro) per person may seem quite high at the first sight, but remember it includes dinner, and thus is in average the same as the cost of the quality concert attendance followed by a good dinner. You can also purchase combined package including admission to ABBA The Museum for 1535 SEK. Time of arrival varies on day of the week and is found on your ticket, doors remain open for appr. 45 minutes from listed time.

If you plan to visit Stockholm this summer, the Party will be in English between July 27 to August 21, the other days Swedish version of the show is played (with songs still in English).

The party will last for at least four hours (of them the show itself around hour and a half). Capacity of the restaurant is 450 visitors. Minimal age: 13 years, aged 13-18 are welcome accompanied by adults. Tables are reserved in the order they are booked, so there is no option to choose them. If you come in a large group you may occupy a full table for 8 or 10 people, otherwise you may be required to share a table with other ABBA fans. The plan of the hall is made to ensure best possible experience for all tables, but largest portion of action takes place around the fountain, left balcony is also used a bit more often than right one. Groups bigger than 15 persons can be booked via e-mail: ticket@mammamiatheparty.com, also can you request there (not less than a week before the show) to be seated together with your friends who booked tickets separately.

A three-course mediterranean buffet is included in the ticket price, and is served at your table. The buffet is produced by Samuel Cabrera and his culinary colleagues, in consultation with Jonas Dahlbom, the new creative culinary manager at Gröna Lund. Dishes are served prior to the beginning and in the breaks between the acts.

Mezes: Tzatziki, Semi-dried tomatoes, olives and anchovies, Hummus, Greek farmhouse bread
Starters: Greek salad, Garlic-fried octopus with lemon and rosemary, Fish stew made with hake, tomatoes, and lemon served with sage butter
Main dishes: Lamb racks with pistachio crust, beef and chevre cream, Loin of pork skewers with roast potatoes, Lamb sausage
Dessert: Coffee, ouzo-flavoured semolina cream, pistachio crust, yoghurt pannacotta with honey and almond biscuits.
Options are available for those with gluten or lactose intolerance, or with seafood allergies. Vegetarian or vegan menu can also be prepared if notified by mail in advance. Drinks, except from welcome one, are extra and paid at Tyrol, and, of course, there are alcohol-free alternatives.

Find complete menu here.

Producers of the show do not rule out international expansion of the project in the same way it has happened with Mamma Mia! the Musical (London production is at the talks already), but at this moment it is exclusively available in capital of Sweden Stockholm. The easiest way to Tyrol restaurant is by Djurgårds ferry from Slussen (last ferry back is at 23:50 everyday and at 00:30 on Saturday), or bus 67 to Liljevalchs/Gröna Lund (last bus back at 00:20), or tram 7 from Kungsträdgården to Djurgården (last one at 01:45). More on transport options: here, route planner here. Tyrol has its own entrance at Allmänna Gränd and is located on the other side of the street from the ABBA The Museum and Pop House.

By the way, Swedish entrant Frans was guest of Mamma Mia The Party last week:


Amir, Samra, Juri, Zoe and Italian delegation have also visited the event during these weeks.

The world premiere of Mamma Mia! the Party earlier this year was a historic occasion as all four ABBA members, Agnetha Fältskog, Anni-Frid Lyngstad, Benny Andersson and Björn Ulvaeus, attended and posed together for the first time since Mamma Mia! the movie presentation and just second time after the supergroup split. "I don't think that (on-stage) reunion will happen, but who knows (what future brings)", surprisingly no so firmly as usual says Björn in ESCKAZ interview.

ABBA_David Sica, Zap PR for MMTP5

For us the show definitely has been the ultimate highlight of the two weeks in Stockholm with amazing music performances and finally a chance to have a proper dinner. Finally, we would like to thank Stephanie Bonn from Zap PR for her assistance in coverage of the event.

ABBA The Museum visit

Agnetha, Björn, Benny and Anni-Frid were and still are, for most of us, ABBA (or BAAB as we know from 1st semifinal). The Swedish platform-booted and sparkly supertroupers stormed the pop world between 1972 and 1983 and gave us the hits ‘Dancing Queen’, Summernight City’ and ‘Knowing me, Knowing you’ among many others. It’s worth remembering that even though ABBA split up 30 years ago, Mamma Mia! the movie featuring their music, is the most successful movie musical ever and almost 50 million people have seen the same-named musical production.

Now with ABBA the Museum in Stockholm the legend will live on and on and on… As it should.

ABBA The Museum is a permanent exhibition in the brand new ‘Swedish Music Hall of Fame’ on the island of Djurgården, a brisk walk, or a short bus or tram ride from the city centre. The museum sits between Gröna Lund amusement park and the Liljevalchs art venue and is a 5-minute walk from Skansen Open-air Museum and the famous Vasa Museum.

What is it?
The origins of ABBA The Museum were in the ABBAWORLD touring exhibition that toured Budapest London, Prague, Melbourne and Sydney between 2009 and 2011. It shares the premises with the Swedish Music Hall of Fame and History of Swedish Popular Music.

ABBA The Museum showcases the band’s stage clothes, artifacts, concert footage, interviews etc. in a contemporary, interactive setting. When you buy a ticket you get an ID that generates a page on the museum website. Once inside the museum you can sing and dance with holograms of ABBA, don a digital costume (go for the famous Anni-Frid ‘tiger’ or Agnetha ‘cat’ tunic) projected on to you in a special booth and you can record it by scanning your ticket at the attraction. Then you get to share photos and videos of your experience on Facebook and other social media. After 30 days the recordings are deleted from the site.

ABBA museum

Why you should visit
This place is unique, ABBA fan or not. With the other attraction; The Swedish Music Hall of Fame of Swedish popular music, the content and activities in the museum put the group’s musical achievements and influences in a historical context and it will help you understand ‘ABBA The Phenomenon’ better. The museum also has the full backing of the group and much of the material is from the group members’ own private collections.

So, if you are old enough to remember glam rock, platform-soled boots or maybe even watched live as ABBA sang ‘Waterloo’ and won the Eurovision Song Contest in Brighton in 1974, you should visit for a journey down musical memory lane. For everyone else, come and see ABBA and its entourage at the height of their creative and musical powers, get insights into the group members’ lives and see them as the global supertroupers they will always be.

The museum shop has the extensive choice of memorabilia, books, CDs and other material about the legendary group. One need to remember that museum is cash free.

You can buy tickets to the museum online, at SJ outlets near the Central Station in Stockholm or at the museum.

ESCKAZ has visited the museum together with OGAE Rest of the World president Roy van der Merwe, who presented exclusive South African prints of vinyl singles of ABBA to the museum. We thanks the management of museum for their cooperation.

The interactive "GOOD EVENING EUROPE!" exhibition will celebrate the history of the world’s longest running annual television competition that was first held in 1956. The project has been initiated by ABBA's Björn Ulvaeus together with the EBU’s Eurovision Song Contest Executive Supervisor, Jon Ola Sand. For the first time, visitors will be able to delve into hundreds of hours of Eurovision Song Contest shows. Footage from existing Contests has been digitalised and displayed in a fun, TV-like setting for visitors to access. From the first winner, Switzerland's Lys Assia in 1956 to Sweden's Måns Zelmerlöw in 2015, visitors can immerse themselves in 60 years of great performances, nail-biting moments and classic television moments.

A special wall will also honour the Sweden’s six Eurovision winners; ABBA, Herreys, Carola, Charlotte Perrelli, Loreen and Måns Zelmerlöw with stories written by Christer Björkman, the King of Sweden's Melodifestival. Visitors can test their Eurovision Song Contest knowledge with an interactive quiz too. The exhibition has been curated by ABBA The Museum Director Ingmarie Halling and set designer Bengt Fröderberg together with Anna Söderberg.

There will be a chance for fans attending the exhibition to sing their favourite songs on the Eurovision stage itself as well as see original costumes from selected artists who have taken part in Europe's favourite TV show over the past six decades. The exhibition will feature an empty space to be filled by the winner of the 2016 Eurovision Song Contest which will be held in Stockholm on 10th, 12th & 14th May. After the Grand Final, the winning artist will be invited to visit the museum the next day and place one item from their performance in the exhibition.

Pop House is home to the world-renowned ABBA The Museum exhibition, which presents the history of Sweden's all-time greatest pop group. The building also houses the History of Swedish Popular Music exhibition, featuring Roxette, Robyn, Ace of Base, Europe and some 400 other Swedish artists.

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